the light ekphrastic

We are pleased to share the work of the following artists and writers in the 46th issue of The Light Ekphrastic:

Paul Brooke – Gas Light; Winter of the Pandemic

Jacalyn Carley – thought caught; Portrait of Jill Tumbling

Luigi Coppola – Gaining Starry Wisdom; Bridesmaid

Linda Eve Diamond – Chromatic Harmonies; Nightingale Notes

Teresa Duggan – Escape Hatch; Yabby 2000: lupDujHomwIj luteb gharghmey

Jillian J. Ellis – Empty Embrace; We Survive Together

Joann Field – Jazz; resonance

Vin Grabill – Inscape 2; Cascade 2

Emory D. Jones – Inscape; Water Lilies

Norbert Marszalek – Clear Glass Teacup; Watching the fading light seep through unfamiliar windows

Michele Poole – The Escape Hatch; The Tank

Stephanie Pressman – After learning an artist friend had a stroke; Portrait of Jill

Derek Roper – Gaining Starry Wisdom; Ms. Marsh

Alexandra Samios – Untitled; Like Today

Contributor Bios

We are pleased to share the work of the following artists and writers in the 45th issue of The Light Ekphrastic:

Sarah Antine – So You Can Be Born Completely; Cigarette Girls

Janée J. Baugher – Raping Will Stop When Men Stop Raping; Held By Earth

Jennifer Bishop – Airplane; Stone Angel

Lana Crossman – For the love of Wiley; Patchwork

Tony Daly – Self-Repression; Losing Balance

Lois Marie Harrod – Asymmetrical; We Do What We Do

Rose Menyon Heflin – Like Icarus; Modern Mindfulness

Gard Jones – Extension; Styx & Stone

Sanzi Kermes – Untitled; Patchwork

Selene LaMarca – Untitled; She Lifted Her Head

Qrcky – Self-Censorship; Aokigahara (青木ヶ原)

Jeremy Szuder – Untitled; We Do What We Do

Contributor Bios – February 2021

We are pleased to share the work of the following artists and writers in the 44th issue of The Light Ekphrastic:

Christine Green — Planchette; Shortwave (short stories)

Michele Mekel — Hybridity; Murderess (poetry)

Nicole K. Ostrowski — Untitled; Crimson (artwork)

Derek Roper — Untitled; Broadcasting from Yuggoth (artwork)

JC Sulzenko — Luck. Now.; From sea to sea (poetry)

Ron Tobey — Days Rise; Open Your Eye (videopoem)

Contributor Bios — November 2020

We are pleased to share the work of the following artists and writers in the 43rd issue of The Light Ekphrastic:

Anna Bookstaber – Defy; Ego Birth (poetry)

Teresa Duggan – Fry City; TP Toss: Threat Opp (art)

Emory Jones – Galaxy; Christina’s World (poetry)

Paul McKee – Carny; Sunday Spin (poetry)

Leah Clare Michaels – Dare; Ego & The Vicious Angel (art)

K Roberts – Vanishing Point; Candy Bar Comrades (poetry)

Derek Roper – Untitled; Dunwich (art)

Ron Torrence – speak memory; the journey itself is home (poetry)

Dominique Zeltzman – Untitled, Untitled (art)

Winston Zhou – Quarantine Walk; Untitled (art)

Contributor Bios – August 2020

We are pleased to share the work of the following artists and writers in the 42nd issue of The Light Ekphrastic:

Annaliese Baamonde – Shibboleth; The Apostate (writing)

Marlayna Demond – Untitled; Ticks of Time (art)

James Croal Jackson  – where we stand; Truffle Shuffle Lodge (Hocking Hills, 2018) (writing)

F. X. James – Untitled; we roll this way (writing)

Erin Lehrmann – Untitled; Stone men in caverns of burnt light (art)

Mario Loprete – NUMA Crew; he was my father (art)

Nicole K. Ostrowski – Untitled; Plotting (art)

Jared Pearce – Oil on Concrete; Maple (writing)

Contributor Bios – May 2020

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 11: Timothy Nohe, March 27, 2020

Sentience Dreaming

Timothy’s Inspiration:  I was thinking of the “predatory mollusk” in Moss’ work, and I wondered about the unique evolutionary path that cephalopods took, their manifest intelligence, and the flashing colors of their lucid dreams. I was inspired by the images of Heather Moss’ poem “Twelve: The Conflagration,” especially the lines: “When best to serve a chewable tablet / on a scalloped plate? An optical / illusion in billowing ink from / the predatory mollusk: do you / see the manta ray, or twin faces / staring hash marks into each other’s / dilated pupils?”

See the work that inspired Timothy here.

Timothy Nohe is an artist, composer and educator engaging traditional and electronic media in civic life and public places. His work has been focused upon sustainability and place, and musical and video works for dance and live performance. Nohe has exhibited and performed his work in a range of national and international venues and was the recipient of a 2006 Fulbright Senior Scholar Award from the Australian – American Fulbright Commission. He is the founding Director of the Center for Innovation, Creativity and Research in the Arts (CIRCA) and a tenured Professor of Visual Arts at UMBC.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 10: Heather Moss, March 14, 2020

Twelve: The Conflagration 

Harlequin moms sheathed in tight t-shirts
slalom the sideline fathers shouting
their curly brackets at the field. Girls
run — remember the picture you drew
of her before she was born, her fists
like petaled sand dollars– a battery
of gemsboks over the grasslands. Which
bright cutouts by Matisse? Whose guitar
frets inset by mother-of-pearl? When
best to serve a chewable tablet
on a scalloped plate? An optical
illusion in billowing ink from
the predatory mollusk: do you
see the manta ray, or twin faces
staring hash marks into each other’s
dilated pupils? A depiction
of vertical bars speeds envelopes
through industrious machinery.
This morning on the bathroom tile: dried
red droplets, probably not hair dye,
question mark? More like interrobang.

Heather’s Inspiration: I spent a long time looking at Dervish Majorette by Juliette Goodwin and writing down the myriad images I saw there. When I had a list of 15 or so, I carried it around with me and thought about how those things could fit together, and on the third day of mulling, I wrote the poem.

See the work that inspired Heather here.

Heather Moss, who has never stopped being obsessed with adolescence, is a 2013 graduate of the MFA program in Creative Writing & Publishing Arts at the University of Baltimore. She’s saving up to be put into an Eternal Reef so that she may spend the afterlife amongst the sharks and other cartilaginous fishes, and anybody else who wants to hang around.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 9: Juliette Goodwin, February 29, 2020

Dervish Majorette

Title: Dervish Majorette

Juliette’s Inspiration: Color was the first thing that established itself in this piece, inspired by The Pele Allowance by Edward Doyle-Gillespie. The crystal clear description of a deity, the reader’s lover, with a face painted in “oily black-and-red.” This instantly assembled in my head and on paper as an atomic explosion cloud. Clouds like these are all I can conjure up lately in my artwork, so Edward’s words paired well with what was already on my mind. Big, expensive explosions.

See the work that inspired Juliette here.

Juliette Goodwin is a human who spends her days watching the always-changing sky and earth, documenting this earthly experience mostly in paintings and photographs. See more of her work at www.juliettegoodwin.com.

We are pleased to share the work of the following artists and writers in the 41st issue of The Light Ekphrastic:

Linda Campbell Franklin — Rust; Held to the Earth (art)

Joann Field — Comar Merry-Go-Round; no cache of doves (art)

Kyle Laws — Whirl of Merry-Go-Round in Mirrors; I want no cache of doves released (poetry)

Brian Palmer — New Rust; Venus (poetry)

Timmy Reed  — Feel the Heat; Ghost Baby, Summer ‘97 (fiction)

Lorraine Roy — Burning 2; Dreaming of Dark (art)

Contributor Bios — February 2020

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 8: Edward Doyle-Gillespie, February 14, 2020

The Pele Allowance

You had a lover who ate fire.
She painted her face
in oily black-and-red,
and wore a second-skin
that made her look like the pyre of
a rioter’s rage each time she moved.
She would go the corner of this or that street
when the midday men broke free,
and she would twirl herself
with her head canted back.
She would catch glimpses and slices
of the red-brick canyon
in her fractured vision,
and the men would become statues for her.
She would take torches into her mouth
and they would fall in love with her.
She would spit her napalm over their heads,
and they would follow
the wake of her ashes,
taking crisply-folded bills from
tailored pockets.
Your lover would spin herself
in a cloak of dreadlocks,
fling fragments of fire into the air
like a dervish majorette,
and the men would search fruitlessly
for the plastic bucket
or the worn top hat
in which they could
lay their tributes.

Edward’s Inspiration: The first thing I did was look at the first images to pop up and take hold of my first impressions. I decided to honor the first words to pop into my head. I got “UPSIDE DOWN” and” INVERTED” and “SPINNING.” I felt myself in motion in stone context that hinted at a bit of danger. My brain took away bricks and buildings to go along with that. I put the images away. I jotted down some notes, went back, and saw what looked like spangles or flecks of fire contrasting themselves against the edifices.  I pretty much eschewed anything resembling rational cognition or author intent.

See the work that inspired Edward here.

Edward Doyle-Gillespie is a detective in the Baltimore City Police Department. He holds a degree in History from George Washington University, and an MLA from Johns Hopkins University. He is the author of three books  – Masala Tea and Oranges, On the Later Addition of Sancho Panza , and Socorro Prophesy.