the light ekphrastic

We are pleased to share the work of the following artists and writers in the 49th issue of The Light Ekphrastic:

Rahne Alexander — Twilight For Us All; what i want

Mary E. Croy — moon stir; night train

Teresa Duggan — City Sunset; ISO EEE: A Shadows Girl

Marcelo Funes-Gallanzi and Raquel-IA — Candide; Home

Anai Gonzalez — the last test; if i kill myself

Vin Grabill — Dreamscape; Mr. Darcy and Miss Bennet have a problem

María Cristina Hall — Avignon; Elements of Home

Lindsay McKeough — Untitled; Winter Line

Derek Roper — Untitled; The Heretic

S.F. Wright — Velvet; Movie Day

Contributor Bios – February 2022

We are pleased to share the work of the following artists and writers in the 48th issue of The Light Ekphrastic:

Melissa Penley Cormier – Plantmatter: Polaroid Type 55 Portraits; Plummeting

Juna Hume Clark – Daylight Savings; Portrait in Red

Leah Clare Michaels – The Spines of Books and Mine; 2020-2021: still life/stasis (?)

Nicole K. Ostrowski – Untitled; Inside

Julia Samorodova – Flowers Die Quietly; It’s November

Patrick Wright – Exit Strategy; Portrait of Katherine Mansfield

Contributor Bios – November 2021

We are pleased to share the work of the following artists and writers in the 47th issue of The Light Ekphrastic:

Mary Bargteil – Exhale; Sanctuary

Brita d’Agostino – Gold #2; Spinnin’ with the Stars Above

Juliette Goodwin – Eye of Alix; Clouds Above and Below

Dane Lyn – life in ornate amber; roller rink royalty

Bobby Miller – Spectral Event; face

Jeanne Morel – Blues Mosaic with Contemplative Pool; Tahoe

Bethany Rivers – Crystal-Henge; In the wake of the Pale of Settlement

Judith Skillman – Mediterranean after De Stäel; After Tahoe 

Contributor Bios

We are pleased to share the work of the following artists and writers in the 46th issue of The Light Ekphrastic:

Paul Brooke – Gas Light; Winter of the Pandemic

Jacalyn Carley – thought caught; Portrait of Jill Tumbling

Luigi Coppola – Gaining Starry Wisdom; Bridesmaid

Linda Eve Diamond – Chromatic Harmonies; Nightingale Notes

Teresa Duggan – Escape Hatch; Yabby 2000: lupDujHomwIj luteb gharghmey

Jillian J. Ellis – Empty Embrace; We Survive Together

Joann Field – Jazz; resonance

Vin Grabill – Inscape 2; Cascade 2

Emory D. Jones – Inscape; Water Lilies

Norbert Marszalek – Clear Glass Teacup; Watching the fading light seep through unfamiliar windows

Michele Poole – The Escape Hatch; The Tank

Stephanie Pressman – After learning an artist friend had a stroke; Portrait of Jill

Derek Roper – Gaining Starry Wisdom; Ms. Marsh

Alexandra Samios – Untitled; Like Today

Contributor Bios

We are pleased to share the work of the following artists and writers in the 45th issue of The Light Ekphrastic:

Sarah Antine – So You Can Be Born Completely; Cigarette Girls

Janée J. Baugher – Raping Will Stop When Men Stop Raping; Held By Earth

Jennifer Bishop – Airplane; Stone Angel

Lana Crossman – For the love of Wiley; Patchwork

Tony Daly – Self-Repression; Losing Balance

Lois Marie Harrod – Asymmetrical; We Do What We Do

Rose Menyon Heflin – Like Icarus; Modern Mindfulness

Gard Jones – Extension; Styx & Stone

Sanzi Kermes – Untitled; Patchwork

Selene LaMarca – Untitled; She Lifted Her Head

Qrcky – Self-Censorship; Aokigahara (青木ヶ原)

Jeremy Szuder – Untitled; We Do What We Do

Contributor Bios – February 2021

We are pleased to share the work of the following artists and writers in the 44th issue of The Light Ekphrastic:

Christine Green — Planchette; Shortwave (short stories)

Michele Mekel — Hybridity; Murderess (poetry)

Nicole K. Ostrowski — Untitled; Crimson (artwork)

Derek Roper — Untitled; Broadcasting from Yuggoth (artwork)

JC Sulzenko — Luck. Now.; From sea to sea (poetry)

Ron Tobey — Days Rise; Open Your Eye (videopoem)

Contributor Bios — November 2020

We are pleased to share the work of the following artists and writers in the 43rd issue of The Light Ekphrastic:

Anna Bookstaber – Defy; Ego Birth (poetry)

Teresa Duggan – Fry City; TP Toss: Threat Opp (art)

Emory Jones – Galaxy; Christina’s World (poetry)

Paul McKee – Carny; Sunday Spin (poetry)

Leah Clare Michaels – Dare; Ego & The Vicious Angel (art)

K Roberts – Vanishing Point; Candy Bar Comrades (poetry)

Derek Roper – Untitled; Dunwich (art)

Ron Torrence – speak memory; the journey itself is home (poetry)

Dominique Zeltzman – Untitled, Untitled (art)

Winston Zhou – Quarantine Walk; Untitled (art)

Contributor Bios – August 2020

We are pleased to share the work of the following artists and writers in the 42nd issue of The Light Ekphrastic:

Annaliese Baamonde – Shibboleth; The Apostate (writing)

Marlayna Demond – Untitled; Ticks of Time (art)

James Croal Jackson  – where we stand; Truffle Shuffle Lodge (Hocking Hills, 2018) (writing)

F. X. James – Untitled; we roll this way (writing)

Erin Lehrmann – Untitled; Stone men in caverns of burnt light (art)

Mario Loprete – NUMA Crew; he was my father (art)

Nicole K. Ostrowski – Untitled; Plotting (art)

Jared Pearce – Oil on Concrete; Maple (writing)

Contributor Bios – May 2020

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 11: Timothy Nohe, March 27, 2020

Sentience Dreaming

Timothy’s Inspiration:  I was thinking of the “predatory mollusk” in Moss’ work, and I wondered about the unique evolutionary path that cephalopods took, their manifest intelligence, and the flashing colors of their lucid dreams. I was inspired by the images of Heather Moss’ poem “Twelve: The Conflagration,” especially the lines: “When best to serve a chewable tablet / on a scalloped plate? An optical / illusion in billowing ink from / the predatory mollusk: do you / see the manta ray, or twin faces / staring hash marks into each other’s / dilated pupils?”

See the work that inspired Timothy here.

Timothy Nohe is an artist, composer and educator engaging traditional and electronic media in civic life and public places. His work has been focused upon sustainability and place, and musical and video works for dance and live performance. Nohe has exhibited and performed his work in a range of national and international venues and was the recipient of a 2006 Fulbright Senior Scholar Award from the Australian – American Fulbright Commission. He is the founding Director of the Center for Innovation, Creativity and Research in the Arts (CIRCA) and a tenured Professor of Visual Arts at UMBC.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 10: Heather Moss, March 14, 2020

Twelve: The Conflagration 

Harlequin moms sheathed in tight t-shirts
slalom the sideline fathers shouting
their curly brackets at the field. Girls
run — remember the picture you drew
of her before she was born, her fists
like petaled sand dollars– a battery
of gemsboks over the grasslands. Which
bright cutouts by Matisse? Whose guitar
frets inset by mother-of-pearl? When
best to serve a chewable tablet
on a scalloped plate? An optical
illusion in billowing ink from
the predatory mollusk: do you
see the manta ray, or twin faces
staring hash marks into each other’s
dilated pupils? A depiction
of vertical bars speeds envelopes
through industrious machinery.
This morning on the bathroom tile: dried
red droplets, probably not hair dye,
question mark? More like interrobang.

Heather’s Inspiration: I spent a long time looking at Dervish Majorette by Juliette Goodwin and writing down the myriad images I saw there. When I had a list of 15 or so, I carried it around with me and thought about how those things could fit together, and on the third day of mulling, I wrote the poem.

See the work that inspired Heather here.

Heather Moss, who has never stopped being obsessed with adolescence, is a 2013 graduate of the MFA program in Creative Writing & Publishing Arts at the University of Baltimore. She’s saving up to be put into an Eternal Reef so that she may spend the afterlife amongst the sharks and other cartilaginous fishes, and anybody else who wants to hang around.