the light ekphrastic

We are pleased to share the work of the following artists and writers in the 43rd issue of The Light Ekphrastic:

Anna Bookstaber – Defy; Ego Birth (poetry)

Teresa Duggan – Fry City; TP Toss: Threat Opp (art)

Emory Jones – Galaxy; Christina’s World (poetry)

Paul McKee – Carny; Sunday Spin (poetry)

Leah Clare Michaels – Dare; Ego & The Vicious Angel (art)

K Roberts – Vanishing Point; Candy Bar Comrades (poetry)

Derek Roper – Untitled; Dunwich (art)

Ron Torrence – speak memory; the journey itself is home (poetry)

Dominique Zeltzman – Untitled, Untitled (art)

Winston Zhou – Quarantine Walk; Untitled (art)

Contributor Bios – August 2020

We are pleased to share the work of the following artists and writers in the 42nd issue of The Light Ekphrastic:

Annaliese Baamonde – Shibboleth; The Apostate (writing)

Marlayna Demond – Untitled; Ticks of Time (art)

James Croal Jackson  – where we stand; Truffle Shuffle Lodge (Hocking Hills, 2018) (writing)

F. X. James – Untitled; we roll this way (writing)

Erin Lehrmann – Untitled; Stone men in caverns of burnt light (art)

Mario Loprete – NUMA Crew; he was my father (art)

Nicole K. Ostrowski – Untitled; Plotting (art)

Jared Pearce – Oil on Concrete; Maple (writing)

Contributor Bios – May 2020

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 11: Timothy Nohe, March 27, 2020

Sentience Dreaming

Timothy’s Inspiration:  I was thinking of the “predatory mollusk” in Moss’ work, and I wondered about the unique evolutionary path that cephalopods took, their manifest intelligence, and the flashing colors of their lucid dreams. I was inspired by the images of Heather Moss’ poem “Twelve: The Conflagration,” especially the lines: “When best to serve a chewable tablet / on a scalloped plate? An optical / illusion in billowing ink from / the predatory mollusk: do you / see the manta ray, or twin faces / staring hash marks into each other’s / dilated pupils?”

See the work that inspired Timothy here.

Timothy Nohe is an artist, composer and educator engaging traditional and electronic media in civic life and public places. His work has been focused upon sustainability and place, and musical and video works for dance and live performance. Nohe has exhibited and performed his work in a range of national and international venues and was the recipient of a 2006 Fulbright Senior Scholar Award from the Australian – American Fulbright Commission. He is the founding Director of the Center for Innovation, Creativity and Research in the Arts (CIRCA) and a tenured Professor of Visual Arts at UMBC.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 10: Heather Moss, March 14, 2020

Twelve: The Conflagration 

Harlequin moms sheathed in tight t-shirts
slalom the sideline fathers shouting
their curly brackets at the field. Girls
run — remember the picture you drew
of her before she was born, her fists
like petaled sand dollars– a battery
of gemsboks over the grasslands. Which
bright cutouts by Matisse? Whose guitar
frets inset by mother-of-pearl? When
best to serve a chewable tablet
on a scalloped plate? An optical
illusion in billowing ink from
the predatory mollusk: do you
see the manta ray, or twin faces
staring hash marks into each other’s
dilated pupils? A depiction
of vertical bars speeds envelopes
through industrious machinery.
This morning on the bathroom tile: dried
red droplets, probably not hair dye,
question mark? More like interrobang.

Heather’s Inspiration: I spent a long time looking at Dervish Majorette by Juliette Goodwin and writing down the myriad images I saw there. When I had a list of 15 or so, I carried it around with me and thought about how those things could fit together, and on the third day of mulling, I wrote the poem.

See the work that inspired Heather here.

Heather Moss, who has never stopped being obsessed with adolescence, is a 2013 graduate of the MFA program in Creative Writing & Publishing Arts at the University of Baltimore. She’s saving up to be put into an Eternal Reef so that she may spend the afterlife amongst the sharks and other cartilaginous fishes, and anybody else who wants to hang around.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 9: Juliette Goodwin, February 29, 2020

Dervish Majorette

Title: Dervish Majorette

Juliette’s Inspiration: Color was the first thing that established itself in this piece, inspired by The Pele Allowance by Edward Doyle-Gillespie. The crystal clear description of a deity, the reader’s lover, with a face painted in “oily black-and-red.” This instantly assembled in my head and on paper as an atomic explosion cloud. Clouds like these are all I can conjure up lately in my artwork, so Edward’s words paired well with what was already on my mind. Big, expensive explosions.

See the work that inspired Juliette here.

Juliette Goodwin is a human who spends her days watching the always-changing sky and earth, documenting this earthly experience mostly in paintings and photographs. See more of her work at www.juliettegoodwin.com.

We are pleased to share the work of the following artists and writers in the 41st issue of The Light Ekphrastic:

Linda Campbell Franklin — Rust; Held to the Earth (art)

Joann Field — Comar Merry-Go-Round; no cache of doves (art)

Kyle Laws — Whirl of Merry-Go-Round in Mirrors; I want no cache of doves released (poetry)

Brian Palmer — New Rust; Venus (poetry)

Timmy Reed  — Feel the Heat; Ghost Baby, Summer ‘97 (fiction)

Lorraine Roy — Burning 2; Dreaming of Dark (art)

Contributor Bios — February 2020

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 8: Edward Doyle-Gillespie, February 14, 2020

The Pele Allowance

You had a lover who ate fire.
She painted her face
in oily black-and-red,
and wore a second-skin
that made her look like the pyre of
a rioter’s rage each time she moved.
She would go the corner of this or that street
when the midday men broke free,
and she would twirl herself
with her head canted back.
She would catch glimpses and slices
of the red-brick canyon
in her fractured vision,
and the men would become statues for her.
She would take torches into her mouth
and they would fall in love with her.
She would spit her napalm over their heads,
and they would follow
the wake of her ashes,
taking crisply-folded bills from
tailored pockets.
Your lover would spin herself
in a cloak of dreadlocks,
fling fragments of fire into the air
like a dervish majorette,
and the men would search fruitlessly
for the plastic bucket
or the worn top hat
in which they could
lay their tributes.

Edward’s Inspiration: The first thing I did was look at the first images to pop up and take hold of my first impressions. I decided to honor the first words to pop into my head. I got “UPSIDE DOWN” and” INVERTED” and “SPINNING.” I felt myself in motion in stone context that hinted at a bit of danger. My brain took away bricks and buildings to go along with that. I put the images away. I jotted down some notes, went back, and saw what looked like spangles or flecks of fire contrasting themselves against the edifices.  I pretty much eschewed anything resembling rational cognition or author intent.

See the work that inspired Edward here.

Edward Doyle-Gillespie is a detective in the Baltimore City Police Department. He holds a degree in History from George Washington University, and an MLA from Johns Hopkins University. He is the author of three books  – Masala Tea and Oranges, On the Later Addition of Sancho Panza , and Socorro Prophesy.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 7: Marlayna Demond, February 1, 2020

Illusions

Marlayna’s Inspiration: Each time I read Anthony’s piece, I found another layer of it that felt simultaneously personal and specific, yet relatable. I’ve been in love with the textures of salt stains, and how they can almost create the illusion of a barren landscape, so that line initially jumped out at me. I’m also at a point where there are all these paths (or branches) I could see life taking. With my own inability to make (what feel like) major life choices, and looking not just at Anthony’s piece but also Gina’s and all the works in between, I kept mulling over “this or that” and “safe vs experience.” I set out wanting to convey this sense of uncertainty – not knowing what I want next or if I have to make any changes at all. Just to add one more layer of uncertainty, when I went into Baltimore to take some photos for this piece, one of the first buildings on our walk happened to literally scream “ILLUSIONS” at me.

See the work that inspired Marlayna here.

Marlayna Demond is a photographer who is constantly trying to find better work-life balance and make more time for non-work photography and other fun things. Marlayna works full time photographing at UMBC, and in addition also photographs weddings, events, and editorial and portrait work. She also co-runs BaM Co-Create, a business that promotes local makers and produces markets where guests can explore their creativity and shop locally.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 6: Anthony Moll, January 17, 2020

Untitled

Nothing shimmers in the city
winter, and December reveals
the abandoned homes of birds

I’m feeling dysphoric
in a peacoat on an abbreviated
parking lot dusted with salt

trying to imagine a Casa Susanna
a colony of hidden wigs in the chilled
Catskills among eastern hemlock

I hesitate to imagine the woods
as safety— though they are
abandoned or empty

of expectation, and queer bodies
hold a history of exposed knees
in state parks and hideaways

The wilds should be a sort
of home, but I can’t imagine
a dress hem higher than my heavy

thighs outdoors, and the forest
floor reminds me that it’s not

always about you. I guess

Queen Mab’s arrival shouldn’t
surprise me, but I’ve never known
the first name of the wilderness.

Anthony’s Inspiration: I watched and responded to Jim’s animation the week I left Baltimore for a writing retreat in the woods of West Virginia, and it had me thinking about the history of Queer folks in the wilderness—cruising, trysts in cabins, queer communes, etc. When those ideas were paired with Jim’s robed figure revealing a muscular femme, I found myself contemplating perspectives on gender, the goddess, and concealing oneself.

See the work that inspired Anthony here.

Anthony Moll is a queer poet, essayist and educator. Their work has appeared in Hobart, Little Patuxent Review, Assaracus, jubilat and more. Anthony holds an MFA in creative writing & publishing arts and is completing a PhD in English. Their debut memoir, Out of Step, won a 2019 Lambda Literary Award and the 2017 Non/Fiction Prize. It is now available from The Ohio State University Press.

What is Exquisite Fantastic? See the full collection of Exquisite Fantastic projects here.

Contributor 5: Jim Doran, January 3, 2020

Shimmer

Title: Shimmer

Jim’s Inspiration:  I was inspired by Shirley’s Goddess imagery. With animation, I usually begin with audio, and harps are pretty shimmery to me. Once I had to sounds assembled, I did a stream-of-consciousness drawing animation to accompany it. I used a black light to highlight the Goddess.

See the work that inspired Jim here.